A bright luthier and entrepreneur named Leo Fender heard the complaints of industry players and decided to spearhead the creation of a portable, electronic, and slickly designed bass guitar, largely modeled from Fender’s Telecaster design. To answer, we must look back nearly six decades to the retail boom of the electric bass, where the big bang of a central design flaw would later call for some radical experimentation and lead to a cunning design play that would later capture the imagination of the world.īy 1950, most live music had become bolstered by stronger electronics systems and amplifiers, leaving many bass players to helplessly compete for volume. Tina Weymouth playing a Steinberger with the Talking Heads The patient invasion of the headless bass into popularity begs several questions: Why would three of rock music’s most innovative bass players retire their mainstays for a guitar so foreign and peculiar? What was the advantage to playing an instrument without a headstock? Or perhaps most importantly, what are its origins? Where did it come from? That particular L2 currently hangs in The Rock and Roll Hall of Fame. Later in the decade, Tina Weymouth of Talking Heads would sport a L2 in the music video for " Flowers," and elsewhere on tour during the Little Creatures era, replacing her signature Hofner 500/2 Club Bass. By 1984’s Grace Under Pressure, the two basses had been entirely replaced in favor of the L2. Sting, known mostly at the time for playing fretless Ibanez models like the MC900, had traded in his main axes for something entirely uncanny-a bass without a headstock, shaped to resemble a small boat oar.Ī year or so later, Rush’s Geddy Lee had begun phasing out his iconic Rickenbacker 4001 and ‘72 Fender Jazz Bass for a Steinberger L2. It was a pivotal moment for the now infamous headless bass-the Steinberger L2 model, specifically, in this case-having breached the mainstream with an endorsement from one of the biggest rock stars of the moment. Slung over the shoulder of his yellow nylon jacket and striped shirt rested a peculiar instrument: a small, carbon-fiber bass guitar missing its headstock. But arguably the most memorable moment of the closing act’s performance was Sting’s bass. It was also a rather unorthodox attempt to extend an olive branch to the Soviet Union during a tense period of the Cold War. The US festival was a detrimental $12 million flop, in addition to a slew of overdoses and an unforgiving 110-degree weekend. I really believe that we, as short scale players are ledgit and would like to make this place a resource for us all.This event was unique for several reasons. I guess I am saying if you have any interest in seeing this website grow send me your stuff and I will put it in. These guys are doing some great gigs so to all my short scale friends keep rocking and send me your stuff! These guys are the real deal and here is a picture of Aaron with the Epiphone Rumble Kat Allen Woody Signature Bass: If you go to the reverbnation site there are pics of the Howard Brothers touring with Robin Trower.Īnd now my second contributor Frank Olando from the band Undergroundįrank Olando of Underground rocking a 32" Warwick 5 stringĬheck out new video of the boyz rocking "Bulls on Parade" you can check them out on these web sites or at His Name is Aaron Howard and his band is the Well I am very excited I have my first shortscale contributor.
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